‘Daddy has been the best father you could ever imagine,’ Paris said

LOS ANGELES - For all the hasty preparations, hand-wringing over security, breathless media competition to scoop details and soul-wrenching performances, the essence of Michael Jackson’s memorial service came down to 20 poignant, powerful seconds: the moment when 11-year-old Paris-Michael Jackson inched up to the microphone and, in a statement no one saw coming, referred to the late pop superstar as “Daddy.”

It was a remarkably humanizing moment. Then again, it was remarkable just to see Jackson’s three children in public to begin with.

A fiercely protective father, Jackson rarely brought his brood out into public, covering their faces in veils and party masks to protect their identity when he did.

Now here they were, unveiled, before an audience of thousands at Staples Center and millions more around the globe. Starting out seated in the front row, the three youngest Jacksons eventually joined the rest family onstage as the two-hour service wound to a close.

Dressed in the same dark suits and yellow ties as the rest of the Jackson men, 12-year-old Michael Joseph Jr., known as Prince Michael, chewed gum and toted the memorial service program; 7-year-old Prince Michael II, known as Blanket, held his program and clutched a Michael Jackson doll.

Paris, wearing a black dress with white trim, turned a small patent-leather purse over in her hands as other family members spoke. And then a dramatic hush fell over the crowd as family members whispered that the little girl, whose lifetime of public exposure amounted to a small handful of paparazzi photographs, Paris-Michael wanted to say something.

She furtively emerged from the tight circle of family members, who rushed to lower the microphone to her level. And with her uncle Randy on one side and aunt Janet on the other, Jackson’s little girl stood center stage.

“I just wanted to say,” Paris began weakly.

“Speak up, sweetheart, speak up,” Janet encouraged, sweeping the girl’s long hair back. “And get close.”

Paris put one hand behind her neck, another on the microphone, and began again.

“Ever since I was born, Daddy has been the best father you could ever imagine,” she said, her tiny voice cracking.

Rebbie and Marlon Jackson moved in closer to comfort their niece. She shut her eyes tight.

Then she wrapped her hands — little fingernails painted red — around the microphone and fought back tears as she continued: “And I just wanted to say I love him — so much.”

She collapsed in tears into her aunt’s arms.

“It’s OK, baby. It’s OK,” Janet Jackson said as she held Paris close. Prince joined in on the hug.

And all at once, Jackson wasn’t the larger-than-life “King of Pop,” or Wacko Jacko the tabloid freak. He was a doting father who had left three adoring young children behind.

He was “Daddy.”

LOS ANGELES - Michael Jackson, defined in equal parts as the world’s greatest entertainer and perhaps its most enigmatic figure, was about to attempt one of the greatest comebacks of all time. Then his life was cut shockingly — and so far, mysteriously — short.

The 50-year-old musical superstar died Thursday, just as he was preparing for what would be a series of 50 concerts starting July 13 at London’s famed 02 arena. Jackson had been spending hours and hours toiling with a team of dancers for a performance he and his fans hoped would restore his tarnished legacy to its proper place in pop.

An autopsy was planned for Friday, though results were not likely to be final until toxicology tests could be completed, a process that could take several days and sometimes weeks. However, if a cause can be determined by the autopsy, they will announce the results, said Los Angeles County Coroner Investigator Jerry McKibben.

Jackson died at UCLA Medical Center after being stricken at his rented home in the posh Los Angeles neighborhood of Holmby Hills. Paramedics tried to resuscitate him at his home for nearly three-quarters of an hour, then rushed him to the hospital where doctors continued to work on him.

“It is believed he suffered cardiac arrest in his home. However, the cause of his death is unknown until results of the autopsy are known,” his brother Jermaine said.

Cardiac arrest is an abnormal heart rhythm that stops the heart from pumping blood to the body. It can occur after a heart attack or be caused by other heart problems.

Jackson’s death brought a tragic end to a long, bizarre, sometimes farcical decline from his peak in the 1980s, when he was popular music’s premier all-around performer, a uniter of black and white music who shattered the race barrier on MTV, dominated the charts and dazzled even more on stage.

His 1982 album “Thriller” — which included the blockbuster hits “Beat It,” “Billie Jean” and “Thriller” — is the best-selling album of all time, with an estimated 50 million copies sold worldwide.

As word of his death spread, MTV switched its programming to play videos from Jackson’s heyday. Radio stations began playing marathons of his hits. Hundreds of people gathered outside the hospital. In New York’s Times Square, a low groan went up in the crowd when a screen flashed that Jackson had died, and people began relaying the news to friends by cell phone.

“No joke. King of Pop is no more. Wow,” Michael Harris, 36, of New York City, read from a text message a friend had sent him. “It’s like when Kennedy was assassinated. I will always remember being in Times Square when Michael Jackson died.”

The public first knew him as a boy in the late 1960s, when he was the precocious, spinning lead singer of the Jackson 5, the singing group he formed with his four older brothers out of Gary, Ind. Among their No. 1 hits were “I Want You Back,” “ABC” and “I’ll Be There.”

He was perhaps the most exciting performer of his generation, known for his backward-gliding moonwalk, his feverish, crotch-grabbing dance moves and his high-pitched singing, punctuated with squeals and titters. His single sequined glove, tight, military-style jacket and aviator sunglasses were trademarks, as was his ever-changing, surgically altered appearance.

“For Michael to be taken away from us so suddenly at such a young age, I just don’t have the words,” said Quincy Jones, who produced “Thriller.” “He was the consummate entertainer and his contributions and legacy will be felt upon the world forever. I’ve lost my little brother today, and part of my soul has gone with him.”

Jackson ranked alongside Elvis Presley and the Beatles as the biggest pop sensations of all time. He united two of music’s biggest names when he was briefly married to Presley’s daughter, Lisa Marie. Jackson’s sudden death immediately evoked comparisons to that of Presley himself, who died at age 42 in 1977.

“I am so very sad and confused with every emotion possible,” Lisa Marie Presley said in a statement. “I am heartbroken for his children who I know were everything to him and for his family. This is such a massive loss on so many levels, words fail me.”

As years went by, Jackson became an increasingly freakish figure — a middle-aged man-child weirdly out of touch with grown-up life. His skin became lighter, his nose narrower, and he spoke in a breathy, girlish voice. He often wore a germ mask while traveling, kept a pet chimpanzee named Bubbles as one of his closest companions and surrounded himself with children at his Neverland ranch, a storybook playland filled with toys, rides and animals. The tabloids dubbed him “Wacko Jacko.”

“It seemed to me that his internal essence was at war with the norms of the world. It’s as if he was trying to defy gravity,” said Michael Levine, a Hollywood publicist who represented Jackson in the early 1990s. He called Jackson a “disciple of P.T. Barnum” and said the star appeared fragile at the time but was “much more cunning and shrewd about the industry than anyone knew.”

Jackson caused a furor in 2002 when he playfully dangled his infant son, Prince Michael II, over a hotel balcony in Berlin while a throng of fans watched from below.

In 2005, he was cleared of charges that he molested a 13-year-old cancer survivor at Neverland in 2003. He had been accused of plying the boy with alcohol and groping him, and of engaging in strange and inappropriate behavior with other children.

The case followed years of rumors about Jackson and young boys. In a TV documentary, he acknowledged sharing his bed with children, a practice he described as sweet and not at all sexual.

Despite the acquittal, the lurid allegations that came out in court took a fearsome toll on his career and image, and he fell into serious financial trouble.

Michael Joseph Jackson was born Aug. 29, 1958, in Gary. He was 4 years old when he began singing with his brothers — Marlon, Jermaine, Jackie and Tito — in the Jackson 5. After his early success with bubblegum soul, he struck out on his own, generating innovative, explosive, unstoppable music.

The album “Thriller” alone mixed the dark, serpentine bass and drums and synthesizer approach of “Billie Jean,” the grinding Eddie Van Halen guitar solo on “Beat It,” and the hiccups and falsettos on “Wanna Be Startin’ Somethin’.”

The peak may have come in 1983, when Motown celebrated its 25th anniversary with an all-star televised concert and Jackson moonwalked off with the show, joining his brothers for a medley of old hits and then leaving them behind with a pointing, crouching, high-kicking, splay-footed, crotch-grabbing run through “Billie Jean.”

The audience stood and roared. Jackson raised his fist.

During production of a 1984 Pepsi commercial, Jackson’s scalp sustains burns when an explosion sets his hair on fire.

He had strong follow-up albums with 1987’s “Bad” and 1991’s “Dangerous,” but his career began to collapse in 1993 after he was accused of molesting a boy who often stayed at his home. The singer denied any wrongdoing, reached a settlement with the boy’s family, reported to be $20 million, and criminal charges were never filed.

Jackson’s expressed anger over the allegations on the 1995 album “HIStory,” which sold more than 2.4 million copies, but by then, the popularity of Jackson’s music was clearly waning even as public fascination with his increasingly erratic behavior was growing.

Jackson married Lisa Marie Presley in 1994, and they divorced in 1996. Later that year, Jackson married Deborah Rowe, a former nurse for his dermatologist. They had two children together: Michael Joseph Jackson Jr., known as Prince Michael, now 12; and Paris Michael Katherine Jackson, 11. Rowe filed for divorce in 1999.

Jackson also had a third child, Prince Michael II. Now 7, Jackson said the boy nicknamed Blanket as a baby was his biological child born from a surrogate mother.

Billboard magazine editorial director Bill Werde said Jackson’s star power was unmatched. “The world just lost the biggest pop star in history, no matter how you cut it,” Werde said. “He’s literally the king of pop.”

Jackson’s 13 No. 1 one hits on the Billboard charts put him behind only Presley, the Beatles and Mariah Carey, Werde said.

“He was on the eve of potentially redeeming his career a little bit,” he said. “People might have started to think of him again in a different light.”

Reportedly in dire financial straits, Jackson sold his Neverland Ranch in 2008. He, however, sued to block the auction of some of his personal items from the home the following year. Around this same time, the largely reclusive Jackson announced that he would be performing a series of concerts in London as his "final curtain call." There had been some speculation regarding whether often fragile-appearing singer would be able to handle the rigors of 50 concerts. However, despite all of the allegations and stories of odd behavior, Jackson remained a figure of great interest, as demonstrated by the strong response to his concert plans. Set to appear at the O2 Arena beginning July 8,2009, Jackson saw the tickets to these shows sell out in only four hours.

Michael Jackson, one of the most popular artists of all time, died suddenly of cardiac arrest on June 25, 2009 in Los Angeles just before the concert series. He was 50 years old.

His musical career began to decline with the lukewarm reception to 1995's HIStory: Past, Present, and Future, Book I, which featured some of his earlier hits as well as new material. The record spawned two hits, "You Are Not Alone" and his duet with sister Janet Jackson, "Scream." "Scream" earned Michael and Janet a Grammy Award for Best Music Video, Short Form that year. Another track from the album, "They Don't Care About Us," however, brought Jackson intense criticism for using an anti-Semitic term.

By the release of 2001's Invincible, Jackson was better known as an eccentric whose quirks were reported in the tabloids than as a performer. The album sold well, but stories of his odd behavior started to overshadow his talent. He often appeared in public wearing a surgical mask, and he hid his children's faces under veils.

In 2002, Jackson seemed confused and disoriented on stage at an MTV awards show. Soon after, he received enormous criticism for dangling his son, Prince Michael II, over a balcony while greeting fans in Germany. In a later interview, Jackson explained that "We were waiting for thousands of fans down below, and they were chanting they wanted to see my child, so I was kind enough to let them see. I was doing something out of innocence."

Jackson's reputation was served another blow in 2003 with the television documentary, Living with Michael Jackson. British journalist Martin Bashir spent several months with Jackson, and he got Jackson to discuss his relationships with children. He admitted that he continued to have children sleepover at his ranch, even after the 1993 allegations. Jackson said that sometimes he slept with the children in his bed. "Why can't you share your bed? That's the most loving thing to do, to share your bed with someone," Jackson told Beshir.

Jackson faced more legal woes in 2004 when he was arrested on charges related to incidents with a 13-year-old boy the previous year. Facing 10 counts in all, he was charged with lewd conduct with a minor, attempted lewd conduct, administering alcohol to facilitate molestation, and conspiracy to commit child abduction, false imprisonment and extortion. The resulting 2005 trial was a media circus with fans, detractors, and camera crews surrounding the courthouse. More than 130 people testified, including Macaulay Culkin who appeared on Jackson's behalf. He said that he had been friends with Jackson as a young teen. While he had stayed over at the Neverland Ranch, he told the court that Jackson never tried to molest him. Jackson's accuser also appeared via videotape and described how Jackson had given him wine and molested him.

On June 14, 2005, Jackson was acquitted of all charges. He stayed at Neverland for only a short time after the trial and then moved to Bahrain. A friend of the king of Bahrain's son, Jackson was able to avoid the intense media scrutiny he had been subjected to during the trial. Plans were made for Jackson to record a comeback album with the king's son's record company, but the album never materialized.

Releasing his follow-up to Thriller in 1987, Jackson reached the top of the charts with Bad. It featured five No. 1 hits, including "Man in the Mirror," "The Way You Make Me Feel," and the title track, which was supported by a video directed by Martin Scorsese. Jackson spent more than a year on the road, playing concerts to promote the album. While successful, Bad was unable to duplicate the phenomenal sales of Thriller.

Raised as a Jehovah's Witness, Jackson was a shy and quiet person off-stage. He was never truly comfortable with the media attention he received and rarely gave interviews. By the late 1980s, Jackson had created his own fantasy retreata California ranch called Neverland. There he kept exotic pets, such as a chimpanzee named Bubbles, and had his own amusement rides. To some, it seemed that Jackson perhaps was exploring a second childhood. He sometimes opened up the ranch for children's events. Rumors swirled around him, including that he was lightening the color of his skin to appear more white and slept in a special chamber to increase his life span.

In 1991, Jackson released Dangerous, featuring the hit "Black or White." The video for this song included an appearance by child star Macaulay Culkin, and was directed by John Landis. In the video's final minutes, Jackson caused some controversy with his sexual gesturing and violent actions. Many were surprised to see the Peter Pan-like Jackson act this way.

Jackson's music continued to enjoy wide-spread popularity in the upcoming years. In 1993, he performed several important events, including the half-time show at Superbowl XXVII. Jackson gave a rare television interview, which aired that February. Sitting down with Oprah Winfrey, he explained that the change in his skin tone was the result of a disease known as vitiligo. Jackson also opened about the abuse he suffered from his father.

Allegations of child molestation against Jackson emerged later that year. A 13-year-old boy claimed that the music star had fondled him. Jackson was known to have sleepovers with boys at his Neverland Ranch, but this was the first public charge of wrongdoing. The police searched the ranch, but they found no evidence to support the claim. The following year, Jackson settled the case out of court with the boy's family. Other allegations emerged, but Jackson maintained his innocence.

In August 1994, Jackson announced that he had married Lisa Marie Presley, daughter of rock icon Elvis Presley. The couple gave a joint television interview with Diane Sawyer, but the union proved to be short-lived. They divorced in 1996. Some thought that the marriage was a publicity ploy to restore Jackson's image after the molestation allegations.

Later that same year, Jackson wed nurse Debbie Rowe. The couple had two children through artification insemination. Son Prince Michael Jackson was born in 1997 and daughter Paris Michael Jackson was born in 1998. (Jackson later had a third child, Prince Michael Jackson II, nicknamed "Blanket," with an unknown woman.) Rowe and Jackson divorced in 1999 with Jackson receiving full custody of their two children.

Now calling themselves the Jacksons, the group signed a new recording deal with Epic Records. With 1978's Destiny, Michael Jackson and his brothers (which by now included younger brother Randy) emerged as talented songwriters, penning all of the record's tracks. Working with producer Quincy Jones, Michael Jackson wowed the music world with his next solo album, 1979's Off the Wall. It featured ann infectious blend of pop and funk with such hit tracks as the Grammy Award-winning "Don't Stop til You Get Enough," "Rock with You," and the title track. He also found success with the ballad "She's Out of My Life."

The overwhelmingly positive response to Michael's latest solo album also helped buoy the Jacksons' career as well. Triumph (1980) sold more than one million copies, and the brothers went on an extensive tour to support the recording. Jackson, however, began to branch out on his own more. Teaming up with rock legend Paul McCartney, Jackson sang on their 1982 duet, "The Girl Is Mine," which nearly reached the top of the pop charts.

The song also appeared on his next solo album, Thriller (1982), which generated seven top 10 hits. On a television special honoring Motown, Jackson performed "Billie Jean" -- eventually a number one hitand debuted his soon-to-be-famous dance move called the moonwalk. Jackson, a veteran performer by this time, created this step himself and choreographed the dance sequences for the video of his other No. 1 hit, "Beat It."

His most elaborate video, however, was for the album's title track. John Landis directed the horror-tinged video, which featured complex dance scenes, special effects, and a voice-over done by actor Vincent Price. The video for "Thriller" became immensely popular, boosting sales for the already successful album. It stayed on the charts for 80 weeks, holding the No. 1 spot for 37 weeks. In addition to its unparalleled commercial achievements, Thriller earned 12 Grammy Award nominations and won eight of those awards.

Jackson's Grammy victories showcased the diverse nature of his work. For his songwriting talents, he received the Grammy Award for Best Rhythm and Blues Song for "Billie Jean." Jackson also won Best Pop Vocal Performance, Male for "Thriller" and Best Rock Vocal Performance, Male for "Beat It." With co-producer Quincy Jones, he shared the Grammy Award for Album of the Year.

At the top of his game creatively and commercially, Jackson signed a $5 million endorsement deal with Pepsi-Cola around this time. He, however, was badly injured while filming a commercial for the soda giant in 1984, suffering burns to his face and scalp. Jackson had surgery to repair his injuries, and is believed to have begun experimenting with plastic surgery around this time. His face, especially his nose, would become dramatically altered in the coming years.

That same year, Jackson embarked on his final tour with the Jacksons to the support the album Victory. The one major hit from the recording was Michael Jackson's duet with Mick Jagger, "State of Shock." In 1985, Jackson showed his altruistic side, co-writing and singing on "We Are the World," a charity single for USA for Africa. A veritable who's who of music stars participated in the project including Lionel Ritchie, Ray Charles, Bob Dylan, Willie Nelson, Bruce Springsteen, and Tina Turner.

Singer, songwriter. Jackson was born August 29, 1958, in Gary, Indiana, to an African-American working-class family. His father, Joseph Jackson, had been a guitarist but had put aside his musical aspirations to provide for his family as a crane operator. Believing his sons had talent, he molded them into a musical group in the early 1960s. At first, the Jackson Family performers consisted of Michael's older brothers Tito, Jermaine, and Jackie. Michael joined his siblings when he was five, and emerged as the group's lead vocalist. He showed remarkable range and depth for such a young performer, impressing audiences with his ability to convey complex emotions. Older brother Marlon also became a member of the group, which evolved into the Jackson 5.

Behind the scenes, Joseph Jackson pushed his sons to succeed. He was also reportedly known to become violent with them. Michael and his brothers spent endless hours rehearsing and polishing up their act. At first, the Jackson 5 played local gigs and built a strong following. They recorded one single on their own, "Big Boy" with the b-side "You've Changed," but it failed to generate much interest.

The Jackson 5 moved on to working an opening act for such R&B artists as Gladys Knight and the Pips, James Brown, and Sam and Dave. Many of these performers were signed to the legendary Motown record label, and it has been reported that Gladys Knight may have been the one to tell Motown founder Berry Gordy about the Jackson 5. Impressed by the group, Gordy signed them to his label in 1968.

Relocating to Los Angeles, Michael and his brothers started work on their music and dancing with their father as their manager. They lived with Gordy and also with Supremes singer Diana Ross when they first arrived there. In August 1969, the Jackson 5 was introduced to the music industry at a special event, and later served as the opening act for the Supremes. Their first album, Diana Ross Presents the Jackson 5, hit the charts in December of that year. It's first single, "I Want You Back," hit No. 1 on the Billboard Hot 100 chart in January 1970.

More chart-topping singles quickly followed, such as "ABC," "The Love You Save," and "I'll Be There." At the age of 13, Jackson launched a solo career in addition to his work with the Jackson 5. He made the charts in 1971 with "Got to Be There" from the album of the same name. His 1972 album, Ben, featured the eponymous ballad about a rat. The song became Jackson's first solo No. 1 single.

For several years, Michael Jackson and the Jackson 5 maintained a busy tour and recording schedule, under the supervision of Berry Gordy and his Motown staff. Gordy wrote many of the songs recorded by the group and by Michael Jackson as a solo artist. The group became so popular that they even had their own self-titled cartoon show, which ran from 1971 to 1973.

Despite Jackson's individual achievements and the group's great success, there was trouble between the Jacksons and their record company. Tensions mounted between Gordy and Joseph Jackson over the management of his children's careers, and their level of participation in making their music. The Jacksons wanted more control over their recordings, which led to most of the Jacksons breaking ties with Motown in 1975. Jermaine Jackson remained with the label and continued to pursue a solo career, having previously released several albumsnone of which had matched the success of his younger brother Michael.

Which Michael Jackson will be remembered? The unsurpassed entertainer, the gifted and driven song-and-dance man who wielded rhythm, melody, texture and image to create and promote the best-selling album of all time, “Thriller”? Or the bizarre figure he became after he failed in his stated ambition to outsell “Thriller,” and after the gleaming fantasy gave way to tabloid revelations, bitter rejoinders and the long public silence he was scheduled to break next month?

In the end, the superstar and the recluse were not so far apart.

Mr. Jackson built his stardom on paradox. As a child star he was precocious; as an adult he was childlike. His only competition was himself. Within the razzle-dazzle of his songs, he sang about fears and uncertainties in that high, vulnerable voice: flinching from monsters in “Thriller,” wishing he could just “Beat It” when trouble began.

He was a racial paradox, too: an African-American whose audience was never segregated, but whose features grew more Caucasian and whose skin grew lighter through his career, to discomfiting effect. His own face had become a mask.

All of Mr. Jackson’s show-business skills — the ones he learned under his father’s sometimes brutal instruction and then within the Motown Records hitmaking assembly line — were at once a way to please the broadest possible audience and to shield himself from them, safe within his own spectacle.

Despite all his time onstage and on the air, Mr. Jackson stayed remote: styled, rehearsed and choreographed. He had one of history’s largest audiences, and it never really knew him.

There was no denying his talent. His voice leaped out of the radio in Jackson 5 songs like “I Want You Back,” even for those who didn’t see how he danced on television. He internalized Motown’s philosophy of making music for a broad audience — not just a black or white audience as pop grew increasingly segmented in the 1970s — and when he took over his own career, with “Off the Wall” in 1979, he applied that philosophy to the newest sounds he could find, in and out of discos.

His ambition was seductive when he urged “Don’t Stop ’Til You Get Enough.” He offered something to everybody on “Thriller,” which may have been the most strategic crossover album to date: a duet with a Beatle in “The Girl Is Mine,” dizzying electronic beats in “Wanna Be Startin’ Somethin’,” rock guitar in “Beat It.”

His established stardom helped get his African-American face onto MTV, breaking what seemed like a color line, in what was a hugely beneficial step for both. Mr. Jackson wasn’t just an old-school show-business expert who could sing and dance onstage in real time; he was also more than ready for the music-video era, turning his songs into high-concept video clips that fit the chorus-line production of old Hollywood musicals into television-sized nuggets.

His dance moves were angular and twitchy, hinting at digital stops and starts rather than analog fluidity — except, of course, for his famous moonwalk, the image of someone striding gracefully without ever leaving center stage.

The world-beating success of “Thriller” was Mr. Jackson’s triumph and burden. He had the sales, the Grammy Awards, the screaming audiences in every country he toured. And he would spend the rest of his career trying to repeat the experience working many of the same maneuvers into his music: another duet, another rock guitar, another ratcheting dance track. Mr. Jackson never stopped being catchy, but behind the sheen some of the songs grew darker and stranger, like “Smooth Criminal,” with its intimations of violence, on the 1987 album “Bad.”

Mr. Jackson labored; his albums came four, five, six years apart. The hip-hop era had arrived, with its bluntly candid lyrics and quick-and-dirty productions, both contrary to Mr. Jackson’s style; he tried to keep up the crossover with raps from the Notorious B.I.G., but that didn’t buy him street credibility.

The songs grew increasingly divided between benevolent messages like “Heal the World” and spiteful ones like “Why You Wanna Trip on Me” on his 1991 album “Dangerous.” On his 1995 album “HIStory” — which started out as a greatest-hits collection but added a second album of new songs — Mr. Jackson’s fury boiled over in new songs like “They Don’t Care About Us” and “Tabloid Junkie.”

Part of the pop audience — and critics, too — took pleasure in Mr. Jackson’s setbacks. He had long been billing himself as the King of Pop, and the cover of “HIStory” shows him as a giant statue, the kind that gets toppled when tin-pot dictators (or pop idols) are overthrown.

The underlying sweetness that had made Mr. Jackson endearing, even at his strangest, had curdled, and he couldn’t resuscitate it for his final album, “Invincible,” in 2001. All the pieces he had put together, all the paradoxes that he had been able to resolve with sheer musicality, started to fall apart. He was working on a stadium spectacle for shows in London this summer, and we will never know if all his skill and showmanship could have given him a new start.

Michael Joseph Jackson died at age 50 in Los Angeles on June 25, 2009. He spent a lifetime surprising people, in recent years largely because of a surreal personal life, lurid legal scandals, serial plastic surgeries and erratic public behavior that have turned him -- on his very best days -- into the butt of late-night talk-show jokes and tabloid headlines. But when his career began to take off nearly four decades ago as a member of the pop group the Jackson 5, fans and entertainment industry veterans recognized something else about the pint-size musical dynamo that was unusual: He was in possession of an outsize, mesmerizing talent.

The introduction to his Rock and Roll Hall of Fame entry seemed apt as a global audience followed reports of his hospitalization and then death:
"Michael Jackson is a singer, songwriter, dancer and celebrity icon with a vast catalog of hit records and countless awards to his credit. Beyond that, he has transfixed the world like few entertainers before or since. As a solo performer, he has enjoyed a level of superstardom previously known only to Elvis Presley, the Beatles and Frank Sinatra."

John Rockwell, the music critic of The Times, cited Mr. Jackson's musical and cultural influence in a 1982 review of the album "Thriller," calling it "a wonderful pop record, the latest statement by one of the great singers in popular music today." But it was more than that, he contended: "It is as hopeful a sign as we have had yet that the destructive barriers that spring up regularly between white and black music -- and between whites and blacks -- in this culture may be breached once again. Most important of all, it is another signpost on the road to Michael Jackson's own artistic fulfillment."

Mr. Jackson was born in Gary, Ind., on Aug. 29, 1958 and began performing professionally at age 5, joining his three older brothers in a group that their father, Joe, a steelworker, had organized the previous year. In 1968 the group, now five strong and known as the Jackson 5, was signed by Motown Records.

By 1969, Mr. Jackson had already spent years in talent shows and performing in seedy Midwestern clubs under the aegis of his dictatorial and ambitious father and Berry Gordy, the founder of Motown Records. They were the singer's twin mentors during his early career.

The Jackson 5 was an instant phenomenon. The group's first four singles - "I Want You Back," "ABC," "The Love You Save" and "I'll Be There" - all reached No. 1 on the pop charts in 1970, a feat no group had accomplished before. And young Michael was unquestionably the center of attention: he handled virtually all the lead vocals, danced with energy and finesse, and displayed a degree of showmanship rare in a performer of any age. The Jackson brothers were soon a fixture on television variety shows and even briefly had their own Saturday morning cartoon series.

Mr. Jackson had his own recollections of those years. "When you're a show-business child, you really don't have the maturity to understand a great deal of what is going on around you. People make a lot of decisions concerning your life when you're out of the room," he wrote in "Moon Walk," his 1988 autobiography. "Berry insisted on perfection and attention to detail. I'll never forget his persistence. This was his genius. Then and later, I observed every moment of the sessions where Berry was present and never forgot what I learned. To this day, I use the same principles."

In 1971 Mr. Jackson began recording under his own name, while also continuing to perform and record with his brothers. His recording of "Ben," the title song from a movie about a boy and his homicidal pet rat, was a No. 1 hit in 1972.

The brothers (minus Michael's older brother Jermaine, who was married to the daughter of Berry Gordy, Motown's founder and chief executive) left Motown in 1975 and, rechristened the Jacksons, signed to Epic, a unit of CBS Records. The following year Michael made his movie debut as the Scarecrow in the screen version of the hit Broadway musical "The Wiz." But movie stardom proved not to be his destiny.

Music stardom on an unprecedented level, however, was. Mr. Jackson's first solo album for Epic, "Off the Wall," yielded four No..1 singles and sold seven million copies, but it was a mere prologue to what came next. His follow-up, "Thriller," released in 1982, became the best-selling album of all time and helped usher in the music video age. The video for the album's title track, directed by John Landis, was an elaborate horror-movie pastiche that was more of a mini-movie than a promotional clip and played a crucial role in making MTV a household name.

Seven of the nine tracks on "Thriller" were released as singles and reached the Top 10. The album spent two years on the Billboard album chart and sold more than 50 million copies worldwide. It also won eight Grammy Awards.

Such accomplishments would have been difficult for anyone to equal, much less surpass. Mr. Jackson's next album, "Bad," released in 1987, sold eight million copies and produced five No..1 singles and another state-of-the-art video, this one directed by Martin Scorsese. It was a huge hit by almost anyone else's standards, but an inevitable letdown after "Thriller."

It was at this point that Mr. Jackson's bizarre private life began to overshadow his music. He would go on to release several more albums and, from time to time, to stage elaborate concert tours. And he would never be too far from the public eye. But it would never again be his music that kept him there.

Sales of his recordings through Sony's music unit generated more than $300 million in royalties for Mr. Jackson since the early 1980s, according to three individuals with direct knowledge of the singer's business affairs. Revenues from concerts and music publishing -- including the creation of a venture with Sony that controls the Beatles catalog -- as well as from endorsements, merchandising and music videos added, perhaps, $400 million more to that amount, these people believe. Subtracted were hefty costs like recording and production expenses, taxes and the like.

Those close to Mr. Jackson say that his finances had not deteriorated simply because he was a big spender. Until the early 1990s, they said, he paid relatively close attention to his accounting and kept an eye on the cash that flowed through his business and creative ventures. After that, they say, Mr. Jackson became overly enamored of something that ensnares wealthy people of all stripes: bad advice.

Mr. Jackson's pre-expense share of the "Thriller" bounty -- including the album, singles and a popular video -- surpassed $125 million, according to a former adviser who requested anonymity because of the confidential nature of Mr. Jackson's finances. Those who counseled him in the "Thriller" era credit the pop star with financial acumen and astute business judgment, evidenced by his $47.5 million purchase of the Beatles catalog in 1985 (a move that served to alienate him from Paul McCartney, the Beatles legend who imparted the financial wisdom of buying catalogs to Mr. Jackson during a casual chat, only to see Mr. Jackson then turn around and buy rights to many of Mr. McCartney's own songs). Acquaintances from that period say that he would occasionally borrow gas money, and he still lived in the Jackson family home in the suburban Encino section of Los Angeles.

It wasn't until the end of the 1980s that Mr. Jackson began to exhibit more baronial tendencies. In 1988, he made his $17 million purchase of property near Santa Ynez, Calif., that became Neverland.

At the same time, Mr. Jackson was redefining the concept of spectacle in pop music. He hired Martin Scorsese, the film director, to direct a video for "Bad," a clip that one adviser with direct knowledge of the production budget said cost more than $1 million. The same adviser said that Mr. Jackson netted "way north" of $35 million from a yearlong "Bad" tour that began in 1987, and that heading into the 1990s Mr. Jackson was in sound shape financially.

By the mid-90s, though, Mr. Jackson's finances were under strain. He retreated from working regularly after the release of "Dangerous" in 1991 and settled a child-molestation lawsuit for about $20 million. More significantly in terms of his finances, he had to sell Sony a 50 percent stake in the Beatles catalog in 1995 for more than $100 million, which one adviser said helped shore up the singer's wobbling accounts. Mr. Jackson wouldn't produce another studio album of completely new material until 2001.

In June 2005, he was acquitted today of all charges in connection with accusations that he molested a 13-year-old boy he had befriended as the youth was recovering from cancer in 2003. Mr. Jackson's complete acquittal ended a nearly four-month trial that featured 140 witnesses who painted clashing portraits of the 46-year-old international pop star as either pedophile or Peter Pan.
Along with the verdict, the jury gave a note for the judge to read out in court. In it, they said they felt "the weight of the world's eyes upon us all" and that they had "thoroughly and meticulously" studied all the evidence. The note concluded with a plea "we would like the public to allow us to return to our lives as anonymously as we came."
The case arose from the February 2003 broadcast of "Living with Michael Jackson," a British documentary in which Mr. Jackson admitted sharing his bed with young boys, calling it a loving act unrelated to sex. The boy who later became the accuser was shown holding hands with the singer and resting his head affectionately on his shoulder. He was described as a 13-year-old cancer patient whom Mr. Jackson had decided to help.

On March 5, 2009, Mr. Jackson announced that he would perform a series of concerts in London in the summer, in what he called a "final curtain call." Mr. Jackson, 50, revealed the details of the concerts at a news conference in London, where he said he would perform 10 shows at that city's O2 Arena, beginning July 8. "When I say this is it, I mean this is it," Mr. Jackson said. "I'll be performing the songs my fans want to hear."

The shows would have been Mr. Jackson's first major performances since 2001 and 2002, when he appeared at a pair of 30th anniversary celebrations and two benefit concerts; a brief appearance by Mr. Jackson at the World Music Awards in 2006 was booed by audience members.